Saat Khoon Maaf Movie Trailer

 '
Saat Khoon Maaf', directed by Vishal Bhardwaj, is a dark and daring film, but one that's ultimately disappointing. Fleshed out from a short story by Ruskin Bond titled Susanna's Seven Husbands, the film stars Priyanka Chopra as a woman whose unending search for love takes her into the arms of men that are wrong for her. Half a dozen spouses that are bumped off one by one when they fail her.The original story by Ruskin Bond is fertile ground for a thrilling black comedy, but 'Saat Khoon Maaf' becomes predictable early on, when the screenplay falls into a set pattern. Bhardwaj adopts a simplistic, linear narrative, and the episodic nature of the plot allows for barely any surprises. So each husband is introduced, his chink quickly revealed, and his death neatly executed.You have the possessive one-legged army-man, a drugged-out rockstar, a sexually sadistic Urdu poet, a two-timing Russian spy, a lust-driven ageing police officer, and an old-fashioned natural pharmacist. Few of them, however, have any scope to make a lasting impression, although such formidable talents as Irrfan Khan and Naseeruddin Shah occupy two of those roles.Boring isn't a word you'd normally associate with a Vishal Bhardwaj film, but 'Saat Khoon Maaf' seriously tests your patience. The episodes don't link with each other seamlessly, and the director moves on quickly from one to the next, never giving us a sense of reflection or regret (if any) on Susanna's part after committing a murder.Priyanka Chopra dives courageously into her role, sacrificing vanity and pride to play Susanna at different ages of her life and in often humiliating conditions. Vivaan Shah shines as Susanna's adopted godson who watches her throw away her dignity and pines for her silently as she goes from one wrong husband to the next.Using tools like newspaper headlines, radio announcements and television bulletins to root this mostly surreal film in reality, Vishal Bhardwaj delivers his oddest film yet, that is also sadly his weakest.I'm going with two out of five for 'Saat Khoon Maaf'. The highlight of this film is that excellent 'Darling' number. The rest is just a blur. 

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Thank You Movie Trailer

The Story : Thank You movie is a delightful story and with a hilarious comedy. The story is about 3 best friends Raj, Yogi and Vikram who are business partners, serial womanizers and happily married beacuse their wives have no idea their husbands cheat on them.

Plot

Thank you is a multi-starer romantic comedy with Akshay Kumar and Sonam Kapoor playing the lead roles.

Movie Details

Genre: Romance

Language: Hindi

Release date and status: Releasing on Apr 8, 2011

Once Raj’s wife, Sanjana had suspect on her husband and hires private detective, Kishan who saves marriages, but this time he got attracted towards Sanjana.

And then the story follows with Kishan trying to catch the husbands with their pants down literally and them attempting to just stay outside his grasp. This.




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Tanu Weds Manu Movie Trailer

Expectations:
There are limited expectations from the music of Tanu Weds Manu as the film hasn't been projected as a musical. Also, since there aren't many recognised names attached to the music department (composer Krsna, lyricist Rajshekhar), one doesn't quite know what to expect. However, since the film has a small town setting to it, one does expect the kind of score that would have a rustic flavour to it.

Music:
Though one doesn't know what exactly would arrive in the album, Tanu Weds Manu does boast of a cracker of a start with 'Sadi Gali' having all in it to turn into a smash hit in quick time. A Punjabi track by Lehmber Hussainpuri which is different from the routine 'bhangra' tracks, 'Sadi Gali' is a fun celebration number that hooks you in the first listening itself. A foot tapping number with a quintessential desi Punjabi flavour to it that carries the potential to find popularity wherever and whenever it is played, it will find good acceptance especially up North.

The album shifts track soon after with Mohit Chauhan humming around in his characteristic tone. A love song, 'Yun Hi' is about a guy professing his love and expecting the girl to nod in agreement as well. With easy on ears lyrics by Rajshekhar, the song maintains an overall simplicity in its tone and sails through smoothly. Though 'Yun Hi' is not the kind of song that has chartbuster written to it (due to an overall laidback presentation), it is harmless when given a hearing. Meanwhile Ujjaini can also be heard in the background as a backing vocalist.

Next to arrive is a Sufi number 'Rangrez' by Krsna. The longest track in the album which lasts over six minutes, 'Rangrez' has a core essence of love to it and is situational in appeal. Also, it can be expected to play a multiple times in the film's narrative. With an unadulterated presentation sans any external influences that would have threatened to take away from the traditional flavour that it carries, 'Rangrez' would primarily be appreciated by the followers of Sufi music. Later the song also arrives in another version which is rendered by Puranchand Wadali and Pyare Lal Wadali.

By this time around though one does start missing another terrific number like 'Sadi Gali'. However the album keeps it's soft and sober mood that had started with 'Yun Hi'. Resultantly the song that arrives is 'Piya' which actually turns out to be the best of the lot since 'Sadi Gali'. Sung by Shafqat Amanat Ali, 'Piya' has a semi-classical flavour to it and shows the range of composer Krsna who spins a tune which is extremely easy on ears. With an old world charm to it, 'Piya' should sound even better when seen along with the film. 
There is fun that returns to the proceedings with 'Mannu Bhaiya' which immediately reminds one of 'Genda Phool' [Delhi 6]. Call it the North Indian influence here but the combination of melody and rhythm is on the same lines as the one that was created by A.R. Rahman a couple of years back. Sung by Sunidhi Chauhan who goes restrained in this celebration number where friends and families of the bride and groom get together to tease the couple, 'Mannu Bhaiya' is yet another 'desi' track that maintains its essence. While Ujjaini Mukherjee and Niladri Debnath give Suidhi some support behind the mike, Manjeera, Rakhi Chand and Vivek Naik are the backing vocalists.

Last to arrive is a fun number 'Jugni' which is as Punjabi as it gets and gains that slot in the album which is reserved for a chartbuster. Even though the song's duration is a mere 3 minutes here, Mika makes it worth it by letting his hair down in this dance number that should be pronto aired across all music channels to gain added visibility.




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Yeh Sali Jindgi Movie Trailer

Six thick thistle sticks. Six thick thistles stick.'

Try saying that again. And again. And some more.

How's it going? The beauty of an intricate tongue twister lies in its unbroken rhythm. If nailed, it sounds gracefully articulate. If not, a spew of mispronounced prattle. It's all about saying the right word at the right time at the right pace.

Filmmaker Sudhir Mishra's Yeh Saali Zindagi can be compared to one such tongue-twister. It's a fairly simple plot interspersed with tricky turns and narrated at a breakneck speed.

While the genre is comfortably familiar, Mishra's treatment is refreshingly zany. In place of gloss and gimmicks, the director-story and screenplay writer unearths the underhandedness and layers that constitute his protagonists (and there are a whole lot of them, mind you!) with such dedicated precision and subtext, it's stimulating to stay in sync.

Like I mentioned, this one's a crowded affair. Even so, Irrfan Khan [  Arunoday Singh and Chitrangda Singh share the onus to make it work the most. As the plot's prime players, their lives are interwoven in a web of desire, deceit and determination in this audaciously staged, wildly choreographed thriller with romance at the centre.

Set in Delhi for most part, the movie begins on a strategic note on a Mumbai [ I ] waterfront reverting to the time that led it here, leading us to Arun (Khan), a marvelously sly accountant who loves singer Priti (Chitrangda) despite the vociferous protests of his tubby boss (Saurabh Shukla [ I ]). Priti chases a better future with Shyam (Vipul Gupta) who's engaged to a politician's daughter.
A parallel track involves criminal Kuldeep (Arunoday) who's keen on accomplishing that last big job before he declares a happily-ever-after with his wife (Aditi Rao Hydari) and son. Because he holds Shyam and Priti on ransom, Arun gets embroiled too.

It's all too delicately connected with a secondary bunch of whimsical creatures -- brothers -- the sensitive Bade (Yashpal Sharma) and the kinky Chote (Prashant Narayanan [  ]), a shady cop (Sushant Singh) and a third tier of maverick henchmen, I could go on -- lending significant contribution courtesy its perfect ensemble of supporting actors.

The only time its pace -- the most delightful aspect of YSZ -- takes a beating is to accommodate Arunoday and Aditi's steaming love-making session. The lovely lady who played Sonam Kapoor's ] demure aunt in Delhi 6 [  ] introduces us to her sensual side here. That's pretty much it.
Her co-star Arunoday, who admittedly I wasn't too impressed with in Aisha, is quite a revelation under Mishra's focused direction. His robust charm and vulnerability work well in communicating his passions as a smitten husband, loving father and faithful colleague.

While on the subject of colleagues, Irrfan brings tremendous plausibility to the proceedings despite the script's wacky temperament and unexplained obsession with uncomplimentary close-ups, whether he's disclosing his crafty schemes or making besotted eyes at the recipient of his unconditional support.

And what a recipient!  There's no effort to project Chitrangda as some celluloid dream from outer space. Instead it's really worth anyone's while to witness how she generates glamour by just being real, accessible and gritty.

On the surface, Yeh Saali Zindagi is a black comedy in a bawdy skin. And even as purely that, it's wonderfully unrestrained (dead man farting, yes?) and entertaining with its mouthful of zingers penned by Mishra and Manu Rishi -- one of the deviously funny lines fame (Oye Lucky! Lucky Oye!, Phas Gaye Re Obama [ ). The nifty writing, however, isn't restricted to wit alone but extends itself to YSZ's most gentle moments without compromising on its overall frantic personality. 
The idea is to project mess and chaos. Indeed surplus characters and subplots often make YSZ an overwhelming experience to endure. But if you are up for the challenge to explore Delhi's shifty facet, it's rewarding too. What's most fascinating is how everyone has a sense of humour about their situation, which is inevitably on the sticky side. Saali or sane, this Zindagi rocks. 








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Yamla Paagla Deewana latest bollywood movie

Yamla Pagla Deewana

The trailers of Yamla Pagla Deewanagot tongues wagging and expectations from this Deol dramedy were sky high. The father and sons are sharing screen space after their 2007 family drama Apne,which was a hit.Canada. Family man Paramvir Singh (Sunny) lives happily with his Canadian wife Mary (Brown), two kids and mother (Nafisa). Mother misses Paramvir’s father who went absconding with their younger son Gajodhar (Bobby) to lead a life of crime and thievery. Paramvir promises his mother that he will bring his dad and brother from India to Canada.Cut to Benaras. Paramvir meets Gajodhar, and eventually Dharam, who chooses to live in denial and refuses to believe that Paramvir is his son. You marvel at the ease with which they find each other, something atypical of Hindi movies. The introduction by Ajay Devgn with scenes from Yaadon Ki Baarat, Amar Akbar Anthony, etc acknowledges the reality of the great Indian family reunion. You know a happy ending is just around the corner. Surprising how kin find each other, but petty thieves Dharam and Gajodhar never get caught. 

 

Cut to Punjab. Gajodhar’s love for Sahiban (Randhawa) takes the trio to Punjab and more madness follows with Sahiban’s brothers in tow. Eldest brother Joginder Singh (Kher) leads the bunch of eccentric Sardars, awed by the Canadian NRIs. Sunny and Dharmendra’s superb comic timing elicit most laughs and the humour clearly bears the Deol stamp. From Dharmendra’s Main Jat Yamla Pagla Deewana dance from Pratigya to Sunny’s hand-pump fight scene from Gadar, they mock it all. YPD is high on entertainment, never mind the mindlessness. If you’ve seen a few movies of the Deols, you will definitely enjoy YPD. To others the jokes might seem forced and unfunny.

The first half of YPD is a huge disappointment after all those promising trailers. But as the drama builds up, the fun gets better. The father and sons bravely take digs at one another; making the whole YPD experience enjoyable. It seems like director Samir Karnik had a lot of fun directing the Deols in this madcap comedy, but he could have done without the endless songs to cut short the running time. Age is catching up with Dharmendra, but he makes full use of this opportunity to reach out to his loyal fans. Bobby is so excited to be around family, he overdoes his dialogues and expression, sucking the fun out of them. Sunny is undisputedly the best of the lot.

Remember the song Yaara O Yaara from Jeet and Sunny’s funny stomp dance? Yes, you watch him do it again! Also Dharmendra’s famous one-hand-raised-followed-by-the-other dance step The men overshadow the performances of the female cast. Randhawa is decent while Sucheta Khanna as Poli makes a mark with her Canada-crazy act. Nafisa doesn’t have much of a role.Happy endings are inherent to Hindi films and the Deols save the best for last. Don’t miss the dramatic beginning either

 

 

 

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Game Movie Trailer

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This is one of those films – not bad, but heck, the promos were better. You were promised a tale of political machinations and intrigue, with sexy stars to sweeten the deal.
What do you get? A mix of The Godfather, with notes from The Mahabharata, and hints of our very own Sarkar.
In the quest for Chief Ministership, we see two warring segments within the Pratap family. This family tree isn’t easy to follow, and the first half of the first half is largely spent trying to figure out exactly where the conflict is.
On one side is Virendra Pratap (Manoj Bajpai), who’s hoping to take over the party after his father suffers a heart attack. But the responsibility goes to his cousin. So they kill him. But then Virendra and loyal aide and Dalit grassroots leader Suraj (Ajay Devgn) are disappointed to see they now have to fight the son, Prithvi (Arjun Rampal, tad too pretty for this role).
However, they soon realise that the far more formidable force is the younger son Samar (Ranbir Kapoor), who, had he not been summoned to India upon his father’s death, would be submitting his thesis on Victorian literature the following week.
Once in the thick of politics, Samar realises, to his own surprise, that he can be a ruthless player - bumping off rivals, strategising moves and manipulating loved ones. Interestingly, this multi-layered character is shown to have a tender heart that beats for his American girlfriend, makes him devoted to his brother, and reminds him to bring back a gift for a loyal driver.
Conversely then, his cold-bloodedness comes across as a cinematic licence - a ploy to make his character more intriguing. In the dynastic political battle that follows, the reference of which is taken from the Mahabharata duel, we see bloodshed, and the drive to attain power diluting all else.
So the body count rises as people are killed by guns, car bombs and even a phone bomb. Now, the problem with the film is we’ve seen all this and more in countless political dramas. Apart from Samar, who we’re not sure whether to root for or despise, the other characters are too flimsy to make us feel for them.
Nana Patekar’s Brij Gopal, the behind-the-scenes subtle manipulator (inspired by Krishna from The Gita), isn’t satisfactorily fleshed out either. The female characters are a let-down with hardly any graph. And all three (Samar’s mother, his girlfriend, and sister-in-law) getting pregnant are key points in the plot - such that even a one-night rendezvous leads to pregnancy.
The film is too long, and the second half is inexplicably stretched. In true Bollywood fashion, politics is elevated to an exalted, unattainable status, and the many dialogues, beginning with Raajneeti mein..., get utterly tiresome.

There’s even an improbable track of a long-lost, abandoned son being found at the opportune time, leading to more complications in the quest for power.
Performance by the cast is note-worthy. Ranbir Kapoor is a delight, combining that superstar charm with serious acting chops. Katrina is impressive and restrained. Arjun Rampal, an unlikely choice, pulls off the role. Ajay Devgn plays his character with his trademark brooding intensity, while Manoj Bajpai is restricted by a one-dimensional character.
Writer- director Prakash Jha (Gangajal, Apaharan), who himself has been involved in politics, offers nothing new. A more grassroots, authentic portrayal would have been more welcome rather than the ‘politics is a ruthless game’ drama that we’re used to witnessing.
Still, for the few captivating moments that the film offers, and for Ranbir Kapoor’s unbeatable screen command, Raajneeti remains an above-average watch.



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Chandni Chowk To China

Sitting through Chandni Chowk To China is like watching a bomb go off at Claire’s. Shiny add-ons and nifty accessories sparkle throughout the almost three hour production, but there aren’t enough lavishly choreographed dance numbers and weaving, intricate camera shots in the world to overcome a plot more confusing and muddled than The Big Lebowski’s and a protagonist more scatter-brained and annoying than Borat and Benny Hill combined. Chandni Chowk To China tries too hard in all the wrong places, leaving the audience little reason to care about the zany irreverence and masterful Kung Fu. Note to all involved: fixing a clogged toilet with Axe Body Spray doesn’t solve the problem.

Sidhu (Akshay Kumar) is a bumbling, possibly even retarded cook from Chandni Chowk who gets his ass kicked on a daily basis by his surrogate father Dada (Mithun Chakraborty). Thanks to some wishful thinking by Chinese laborers who can inexplicably afford to travel and a series of bizarre coincidences, Sidhu is mistaken for the reincarnation of an ancient warrior named Liu Shengh. After convincing his buddy Chopstick (Ranvir Shorey) to fly with him to China, Sidhu is robbed by a famous Indian spokeswoman (Deepika Padukone) who’s own father, a former police officer, was viciously silenced by a nefarious Martial Arts master named Hojo (Gordon Liu) who just so happens to be the guy tormenting the same Chinese laborers who mistook Sidhu for Liu Shengh in the first place.

After arriving in China and being worshiped as a God, Sidhu teams up with the Indian spokeswoman to fight Hojo and her evil twin sister who was informally adopted by Hojo’s family shortly after she was born. Oh, I didn’t tell you she had a twin sister? Well, she does. There’s also a white guy named Joey who looks like an Albino Ajax and a misshapen, indented potato which Sidhu worships as a God. Like I said before, The Big Lebowski‘s more complicated Bollywood brother. All this Six Degrees Of Liu Shengh nonsense comes to a head after a few training montages when Sidhu decides to battle Hojo himself to save both the spokeswoman’s family and the seemingly indentured servant villagers. At one point, a man is also killed with a black top hat. Yes, just like that statue after Bond and Goldfinger‘s golf match.

I really wish I could recommend Chandni Chowk To China specifically because of how hard it tries. Nothing about this film plays it safe. Villagers randomly break into song and dance after an impromptu battle. A man fights off a handful of Bruce Lee wannabees while holding a baby. A fly is swatted on the camera itself, creating one of the most visually stimulating cut scenes I have ever seen. The fighting is energetic, even chaotic at points. But in the grand scheme of things, none of this matters because the only character who isn’t a cardboard cutout is a whiny Philistine.

Robert Downey Jr. may have told you never to go full retard in Tropic Thunder but the real curse is going full dumbass. Sidhu is probably the most ignorant mouth breather ever given his own film. He burns lottery tickets, worships a goddamn potato, and cries no less than twenty-five times during this film. Twenty-five. And the problem, the overwhelming menace stemming from these un-Chuck Norris-like displays is awkwardness. You can’t weep because you’re an incompetent buffoon who drops vegetables for a cheap laugh and then expect the audience to sympathize three minutes later when you make the same stupid, mopey face about the death of a friend. It doesn’t work. Charlie Chaplin didn’t wipe out and then immediately deliver pointed soliloquies to Mabel Normand. It’s a problem of tone.

Bryan Singer didn’t cast Al Bundy to play Keyser Soze in The Usual Suspects. Steven Spielberg didn’t cast McLovin to play Han Solo in Star Wars. Mark Waters didn’t cast Dirty Harry Callahan to play that fat gay kid in Mean Girls. I’m on board with unlikely, unprepared everyman’s forced into dangerous situations; dense, mindless dipshit goofballs trying to save the day--not so much.




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singh is king bollywood movie trailer

Finally the most awaited film of this season Singh Is King has been released. The film is directed by Anees Bazmee and produced by Vipul Shah. Akshay Kumar and Katrina Kaif played the lead role in this film. For all of these four, success has become a habit, so is the case with Singh Is King.

Anees Bazeem's film are very high on entertainment. This time the Sing Is King is also an entertainment movie. The plotline of Sing Is King may be paper-thin yet it delivers what it promises. The movie is full on amusement.

Lakhan Singh aka Lucky [Sonu Sood] is the King of the Australian underworld, accompanied by his associates [played by Javed Jaffrey, Neha Dhupia, Manoj Pahwa, Yashpal Sharma, Kamal Chopra and Sudhanshu Pande]. Far away, in a small village in Punjab, where Lucky was born, there exists someone more notorious than him - Happy Singh [Akshay Kumar]. Akshay (Happy Singh) is one happy-go-lucky chap with a big heart who always goes out to help his villagers but forever put the villagers in trouble with his 'do goo act'. Fed up, a few decide to get rid of him. They decide to send him to Australia to get back Lucky Singh whose ailing parents are longing for him. With him on this mission is his childhood friend Rangeela (Om Puri), who hates Happy for dragging him into it.

The high point of his journey is his chance meeting with Sonia [Katrina Kaif], with whom he falls in love, but upon reaching his destination, things take a precarious turn as he runs into a series of comic misadventures, leaving him penniless. He is fortunate to find warmth and affection in an elderly lady [Kirron Kher].

In a strange turn of events, an attempt on Lucky's life is foiled by a well-intentioned Happy, who fights off the attackers by risking his own life. Following the altercation, Lucky lands up in hospital paralyzed and Happy, unexpectedly, finds the tables turned on him when he is expected to assume the role of the new King. How Happy manages to make Lucky and his gang of Sardars turn back from their evil ways is what the film is all about.

As far as acting is concerned, Akshay Kumar no doubt excels with his performance, he lights up with his presence on screen. Katrina is cute and fits the bill. She is sure to draw in the masses. Neha Dhupia does real well and impresses. Sonu Sood emerges with a brilliant performance and gets his share of bollywood finally. Manoj Pahwa , Yashpal Sharma and Sudhanshu Pandey are ok. Om Puri does well. Kirron Kher is ok but the logic behind her shedding tears etc is so lame. Ranvir Shorey is ok. Jaaved Jaffrey annoys.

On the whole, there is action and romance packaged to guarantee the best returns for your bucks. Bazmee excels on both counts. Somewhere in between is writer Suresh Nair's humour, which is the film's selling point! The film will do good business on the ticket counters

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golmaal 3 bollywood movie

Movie Golmaal 3 Director Rohit Shetty Cast Ajay Devgn, Kareena Kapoor, Tusshar Kapoor, Shreyas Talpade, Arshad Warsi, Kunal Khemu, Mithun Chakraborty

Sonia Chopra

The third part of the Golmaal franchise, right on time two years after Golmaal Returns, manoeuvres 10 characters all set in Goa. We meet Pritam (Mithun Chakraborty), his three idiots for sons, and their current scam involving fake history exam papers. When Pritam reprimands them for selling fake papers to unsuspecting students, the smart-alecky one (Madhav, played by Arshad Warsi) says that this will teach the students never to take short-cuts. You break into a smile despite yourself. The other two brothers - Lucky (Tusshar Kapoor, doing his annoying mute act) and Laxman (Kunal Khemu) - are his helpers in executing the scams. Not too far away, brothers Gopal (Ajay Devgn) and Laxman (Shreyas Talpade) with friend Daboo (Kareena) run a water-rides business. Their first altercation with Madhav and gang happens when they, too, start the same business on the beach. Gopal smashes fingers (it’s an ongoing joke), Daboo gives gaalis no one can decipher, Shreyas’s character stammers while Tusshar’s character shrieks his ‘a-i-o’ language. So the warring groups hate each other, but a love story is brewing between the two homes. Mithun’s character meets his long-lost love Guddi (Ratna Pathak-Shah) who is now mother to Gopal. But while Daboo insists the two finally get married, their sons are dead against the idea. The film has a whiff of Basu Chaterjee’s Khatta Meetha mixed with the requisite madness of the Golmaal series. So each star’s entry is atop a moving vehicle, there’s plenty of action complete with shattering glass and smashed vehicles, random shots of girls in bikins, and at least two jokes that’ll crack you up or gross you out depending on your sensibilities. Now for the dialogue: the humour takes getting used to. It’s not downright funny, and relying more on word-play doesn’t always work. Here’s a sample: Daboo says when faced with her business rivals, “Take is easy? Cheesy log hain yeh.” Non-central characters turn out to be the most entertaining. Objectionably, the two groups nonchalantly take their financing for new businesses from the local bhais. These local dons are shown to be bumbling fools. One named Vasooli (Mukesh Tiwari) is constantly love-struck and fooled by Gopal and gang. The other one, Puppy Bhai (Johnny Lever) suffers from a strange condition where he keeps losing and regaining his memory; and also mysteriously embodies several different characters. Lever is fabulous playing this character that brings on the most laughs. So at one moment he is a ‘chor’, at another moment he mistakes Gopal for a bus conductor asking him for a ticket to Pandharpur. The most fun portions are where the film spoofs the retro era complete with a flashback-ed love story of Pritam and Guddi, complete with Mithun doing an I am a Disco Dancer performance. His ‘70s style altercation with the girl’s dad who lives in a mansion (with a life-size faux tiger) is hilarious. Employing ‘70s hit numbers is a masterstroke and great fun. On the downside, the constant hammering of insults to mothers in the form of maa gaalis is jarring. The Golmaal series has evolved from the first film (this time, women are not referred to as ‘item’, thank god), but each dialogue peppered with a “teri maa ki” is just not done. Director Rohit Shetty (Golmaal Returns, Golmaal, All the Best) makes a film that’s entertaining for the most part. The end is so abrupt and such a pat on the back by the filmmaker, it’s sorely disappointing. A sparkling performance by the cast is the highlight. Worth a watch for the ‘rewind’ portions and a few real laughs, even though sparse. Source: watch bollywood movie trailer {www.radiomaska.com}

band baja barat movie trailer

The moment I saw the poster at the local mall, Shocking Pink with bright blue script and lots of gold and silver …. I knew it was a movie to see.  Kya kahen, I am a Dilli waali right?  Bling and Chatak is fashion statement, hai na?  So I just had to see the movie.  So me and my fellow blogger Kid#1 urf Ishaan went off last night to see it.  Mast! If you want to see a feel good Karan Johar kind of movie, this is not it.  If you want to see a refreshing Delhi based tale of two “Binness Partners” this is it.
And if you want to see shaadis, right from the Janakpuri small budget ones to the theme oriented Sainik Farms ones and extravagant Rajasthani palatial ones, with lots of bling, this is the right movie.
Two young people, Bittoo Sharma and Shruti Kakkar start a wedding planners business or binness has Bittoo calls it.  She is the brains, he is the gung ho attitude.  Won’t tell you more – it’ll spoil your fun.
Ranveer Singh is awesome as Bittoo.  I swear, I am all for fresh blood in our film industry.  Star sons do not have the fire or the refreshing attitude.  This boy brings a fresh energy with him, he truly lived the role.  Another thing, he is manly, unlike the full body waxed Khan boys.  I love the retrosexual male.  Anushka Sharma is underrated.  She has more talent and emotive skills in her little finger than Dipeeka Padukone has in her entire svelte body.  Please give her more movies.
One proof of the entertainment quotient of the movie
Me : Loved the Haryanavi lad making it big in the snooty Delhi Page 3 types. It is so Dilli! He calls biscuit biskut, and yada yada
Ishaan : Actually thinking back, he was kinda cheap hai na?
Ishaan is very prim and proper. He does not approve of men wearing slippers. He has to be properly dressed, with shoes and socks. He looked so shocked that he enjoyed the earthy character even so ….
Anushka Sharma just can't stop grinning about her role as a wedding planner in upcoming film Band Baja Baraat and has termed it her best film till date.

Anushka made her debut opposite Shah Rukh Khan in Rab Ne Bana Di Jodi and then went on to star in Badmaash Company as a feisty urban girl opposite Shahid Kapoor.

The 22-year-old beauty stars opposite debutante Ranvir Singh in the Yash Raj Films' Band Baja Baraat helmed by Maneesh Sharma, who worked as an assistant director on Rab Ne...

"I play a wedding planner in the film. It's a story about two Delhi University students who pass out from college and how they come together and start the business of wedding planning, in areas like Janakpuri. It's my best and favourite film till date," said Anuskha, who was in the capital recently for a fashion event.

Apart from Band Baja Baraat, she will also be seen sharing screen space with Akshay Kumar in Nikhil Advani's Patiala House.

"I am very happy that I am doing different kinds of roles which is very very important for me as I am here to act, not somebody who is attracted to the glamour attached with the job. I am experimenting with every film," Anushka said.

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