Tuesday, 29 March 2011

Saat Khoon Maaf Movie Trailer

 '
Saat Khoon Maaf', directed by Vishal Bhardwaj, is a dark and daring film, but one that's ultimately disappointing. Fleshed out from a short story by Ruskin Bond titled Susanna's Seven Husbands, the film stars Priyanka Chopra as a woman whose unending search for love takes her into the arms of men that are wrong for her. Half a dozen spouses that are bumped off one by one when they fail her.The original story by Ruskin Bond is fertile ground for a thrilling black comedy, but 'Saat Khoon Maaf' becomes predictable early on, when the screenplay falls into a set pattern. Bhardwaj adopts a simplistic, linear narrative, and the episodic nature of the plot allows for barely any surprises. So each husband is introduced, his chink quickly revealed, and his death neatly executed.You have the possessive one-legged army-man, a drugged-out rockstar, a sexually sadistic Urdu poet, a two-timing Russian spy, a lust-driven ageing police officer, and an old-fashioned natural pharmacist. Few of them, however, have any scope to make a lasting impression, although such formidable talents as Irrfan Khan and Naseeruddin Shah occupy two of those roles.Boring isn't a word you'd normally associate with a Vishal Bhardwaj film, but 'Saat Khoon Maaf' seriously tests your patience. The episodes don't link with each other seamlessly, and the director moves on quickly from one to the next, never giving us a sense of reflection or regret (if any) on Susanna's part after committing a murder.Priyanka Chopra dives courageously into her role, sacrificing vanity and pride to play Susanna at different ages of her life and in often humiliating conditions. Vivaan Shah shines as Susanna's adopted godson who watches her throw away her dignity and pines for her silently as she goes from one wrong husband to the next.Using tools like newspaper headlines, radio announcements and television bulletins to root this mostly surreal film in reality, Vishal Bhardwaj delivers his oddest film yet, that is also sadly his weakest.I'm going with two out of five for 'Saat Khoon Maaf'. The highlight of this film is that excellent 'Darling' number. The rest is just a blur. 





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Saturday, 26 March 2011

Thank You Movie Trailer

The Story : Thank You movie is a delightful story and with a hilarious comedy. The story is about 3 best friends Raj, Yogi and Vikram who are business partners, serial womanizers and happily married beacuse their wives have no idea their husbands cheat on them.

Plot
Thank you is a multi-starer romantic comedy with Akshay Kumar and Sonam Kapoor playing the lead roles.
Movie Details
Genre: Romance
Language: Hindi
Release date and status: Releasing on Apr 8, 2011



Once Raj’s wife, Sanjana had suspect on her husband and hires private detective, Kishan who saves marriages, but this time he got attracted towards Sanjana.

And then the story follows with Kishan trying to catch the husbands with their pants down literally and them attempting to just stay outside his grasp. This.




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Thursday, 24 March 2011

Tanu Weds Manu Movie Trailer

Expectations:
There are limited expectations from the music of Tanu Weds Manu as the film hasn't been projected as a musical. Also, since there aren't many recognised names attached to the music department (composer Krsna, lyricist Rajshekhar), one doesn't quite know what to expect. However, since the film has a small town setting to it, one does expect the kind of score that would have a rustic flavour to it.
Music:
Though one doesn't know what exactly would arrive in the album, Tanu Weds Manu does boast of a cracker of a start with 'Sadi Gali' having all in it to turn into a smash hit in quick time. A Punjabi track by Lehmber Hussainpuri which is different from the routine 'bhangra' tracks, 'Sadi Gali' is a fun celebration number that hooks you in the first listening itself. A foot tapping number with a quintessential desi Punjabi flavour to it that carries the potential to find popularity wherever and whenever it is played, it will find good acceptance especially up North.


The album shifts track soon after with Mohit Chauhan humming around in his characteristic tone. A love song, 'Yun Hi' is about a guy professing his love and expecting the girl to nod in agreement as well. With easy on ears lyrics by Rajshekhar, the song maintains an overall simplicity in its tone and sails through smoothly. Though 'Yun Hi' is not the kind of song that has chartbuster written to it (due to an overall laidback presentation), it is harmless when given a hearing. Meanwhile Ujjaini can also be heard in the background as a backing vocalist.
Next to arrive is a Sufi number 'Rangrez' by Krsna. The longest track in the album which lasts over six minutes, 'Rangrez' has a core essence of love to it and is situational in appeal. Also, it can be expected to play a multiple times in the film's narrative. With an unadulterated presentation sans any external influences that would have threatened to take away from the traditional flavour that it carries, 'Rangrez' would primarily be appreciated by the followers of Sufi music. Later the song also arrives in another version which is rendered by Puranchand Wadali and Pyare Lal Wadali.

By this time around though one does start missing another terrific number like 'Sadi Gali'. However the album keeps it's soft and sober mood that had started with 'Yun Hi'. Resultantly the song that arrives is 'Piya' which actually turns out to be the best of the lot since 'Sadi Gali'. Sung by Shafqat Amanat Ali, 'Piya' has a semi-classical flavour to it and shows the range of composer Krsna who spins a tune which is extremely easy on ears. With an old world charm to it, 'Piya' should sound even better when seen along with the film. 
There is fun that returns to the proceedings with 'Mannu Bhaiya' which immediately reminds one of 'Genda Phool' [Delhi 6]. Call it the North Indian influence here but the combination of melody and rhythm is on the same lines as the one that was created by A.R. Rahman a couple of years back. Sung by Sunidhi Chauhan who goes restrained in this celebration number where friends and families of the bride and groom get together to tease the couple, 'Mannu Bhaiya' is yet another 'desi' track that maintains its essence. While Ujjaini Mukherjee and Niladri Debnath give Suidhi some support behind the mike, Manjeera, Rakhi Chand and Vivek Naik are the backing vocalists.

Last to arrive is a fun number 'Jugni' which is as Punjabi as it gets and gains that slot in the album which is reserved for a chartbuster. Even though the song's duration is a mere 3 minutes here, Mika makes it worth it by letting his hair down in this dance number that should be pronto aired across all music channels to gain added visibility.




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Wednesday, 23 March 2011

Yeh Sali Jindgi Movie Trailer

Six thick thistle sticks. Six thick thistles stick.'

Try saying that again. And again. And some more.

How's it going? The beauty of an intricate tongue twister lies in its unbroken rhythm. If nailed, it sounds gracefully articulate. If not, a spew of mispronounced prattle. It's all about saying the right word at the right time at the right pace.

Filmmaker Sudhir Mishra's Yeh Saali Zindagi can be compared to one such tongue-twister. It's a fairly simple plot interspersed with tricky turns and narrated at a breakneck speed.

While the genre is comfortably familiar, Mishra's treatment is refreshingly zany. In place of gloss and gimmicks, the director-story and screenplay writer unearths the underhandedness and layers that constitute his protagonists (and there are a whole lot of them, mind you!) with such dedicated precision and subtext, it's stimulating to stay in sync.

Like I mentioned, this one's a crowded affair. Even so, Irrfan Khan [  Arunoday Singh and Chitrangda Singh share the onus to make it work the most. As the plot's prime players, their lives are interwoven in a web of desire, deceit and determination in this audaciously staged, wildly choreographed thriller with romance at the centre.

Set in Delhi for most part, the movie begins on a strategic note on a Mumbai [ I ] waterfront reverting to the time that led it here, leading us to Arun (Khan), a marvelously sly accountant who loves singer Priti (Chitrangda) despite the vociferous protests of his tubby boss (Saurabh Shukla [ I ]). Priti chases a better future with Shyam (Vipul Gupta) who's engaged to a politician's daughter.
A parallel track involves criminal Kuldeep (Arunoday) who's keen on accomplishing that last big job before he declares a happily-ever-after with his wife (Aditi Rao Hydari) and son. Because he holds Shyam and Priti on ransom, Arun gets embroiled too.

It's all too delicately connected with a secondary bunch of whimsical creatures -- brothers -- the sensitive Bade (Yashpal Sharma) and the kinky Chote (Prashant Narayanan [  ]), a shady cop (Sushant Singh) and a third tier of maverick henchmen, I could go on -- lending significant contribution courtesy its perfect ensemble of supporting actors.

The only time its pace -- the most delightful aspect of YSZ -- takes a beating is to accommodate Arunoday and Aditi's steaming love-making session. The lovely lady who played Sonam Kapoor's ] demure aunt in Delhi 6 [  ] introduces us to her sensual side here. That's pretty much it.
Her co-star Arunoday, who admittedly I wasn't too impressed with in Aisha, is quite a revelation under Mishra's focused direction. His robust charm and vulnerability work well in communicating his passions as a smitten husband, loving father and faithful colleague.


While on the subject of colleagues, Irrfan brings tremendous plausibility to the proceedings despite the script's wacky temperament and unexplained obsession with uncomplimentary close-ups, whether he's disclosing his crafty schemes or making besotted eyes at the recipient of his unconditional support.

And what a recipient!  There's no effort to project Chitrangda as some celluloid dream from outer space. Instead it's really worth anyone's while to witness how she generates glamour by just being real, accessible and gritty.
On the surface, Yeh Saali Zindagi is a black comedy in a bawdy skin. And even as purely that, it's wonderfully unrestrained (dead man farting, yes?) and entertaining with its mouthful of zingers penned by Mishra and Manu Rishi -- one of the deviously funny lines fame (Oye Lucky! Lucky Oye!, Phas Gaye Re Obama [ ). The nifty writing, however, isn't restricted to wit alone but extends itself to YSZ's most gentle moments without compromising on its overall frantic personality. 
The idea is to project mess and chaos. Indeed surplus characters and subplots often make YSZ an overwhelming experience to endure. But if you are up for the challenge to explore Delhi's shifty facet, it's rewarding too. What's most fascinating is how everyone has a sense of humour about their situation, which is inevitably on the sticky side. Saali or sane, this Zindagi rocks. 








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